Applying when you dont meet all the requirements for a job

Movie CharlieS Angels Essays - English-language Films,

Film ?Charlie'S Angels? Thomas Kim The film, ?Charlie's Angels? was an outwardly inspired film. This film fit under the class of activity/satire. The activity and camera work pushed the story ahead while keeping the crowd mindful. The essential characters were Dylan, an insubordinate spitfire, Natalie, a ditzy reference book, Alex, a simple achiever and Eric Nox, a criminal brains. Dylan, Natalie and Alex are the primary heroes who function as analysts for a secretive figure known as Charlie. Dylan's inspiration is her longing to have a dad figure, which eventually drives her to ensure her chief, Charlie. Natalie and Alex's inspirations are attached to Dylan's while Natalie is likewise scanning for adoration and Alex is attempting to open up to her sweetheart. Eric Nox's inspiration is to have vengeance for the demise of his dad. Our three champions, Alex, Dylan and Natalie are profoundly prepared super investigators who are employed to locate a missing voice acknowledgment PC program and the program's maker, Eric Nox. The three young ladies decide through some criminologist work that their principle suspect is Nox's fundamental rival, Redstar Communications. The three go covert and plant a connect to Redstar's primary PC organize. They before long find that they have been betrayed by Eric Nox who just utilized the young ladies to access Redstar's correspondence satellites which he will use related to his voice acknowledgment program to find the slippery Charlie whom he faults for the passing of his dad. Bosley, the contact between the young ladies and Charlie, is hijacked so as to find Charlie. The young ladies should now discover Bosley and Eric Nox and forestall Eric from finding Charlie. The young ladies free Bosley yet Eric Nox has just found Charlie and flies to execute him in an assault helicopter. Ale x, Dylan and Natalie figure out how to get on board the helicopter and reinvent the rocket, which Eric Nox is anticipating utilizing to murder Charlie. The rocket as opposed to crushing Charlie is occupied and murders Eric Nox. Charlie is spared and the young ladies take some time off. The essential wellspring of contention is that the young ladies are in a rush in finding Eric Nox before he finds Charlie. The need to ensure Charlie is the primary drive in the young ladies' activities. The characters were uncovered through circumstances which uncovered their inward creatures. Dylan's mom kicked the bucket when she was youthful and she never got an opportunity to meet her dad. The absence of a dad figure makes a requirement for Dylan to secure the one dad figure she has in Charlie. Natalie needs to locate a decent man who she can adore. At the point when she meets a man who understanding and strong she needs everything to work out. Alex has not been totally legitimate with her beau and she needs to open up to him. Eric Nox's dad was executed while he was serving in the military. He accepts that Charlie, who was closest companions with Eric's dad, slaughtered him. Presently he needs vengeance. I offer the film one and a half go-ahead. The film was engaging but ridiculous. The activity scenes resembled gorgeous sight. Using moderate movement, stop movement and mind boggling movement the battle scenes are suggestive of the repulsive force duels in ?The Matrix?. The clever lines in the content, without a doubt credited towards copyist, Ed Solomon, assisted with reducing the strangeness of the activity scenes. Generally speaking the film's principle objective is to engage the eyes with a blowout of enhancements and cleave socky fights between the characters and the film conveys with a blaze poppy sight to behold film.

Why Creativity is so Crucial for Entrepreneurs

Why Creativity is so Crucial for Entrepreneurs In today’s economic world, entrepreneurship is considered the key factor toward economic development. Entrepreneurs strive to create more opportunities in industry, providing more employment options and ultimately having a positive impact on per capital income, revenue generation, lifestyle, etc. This article deals with one of the most important elements of entrepreneurship: creativity. © Shutterstock.com | OllyyIn this article, we look at 1) characteristics of the entrepreneurial process, 2) why creativity is so important for entrepreneurs, 3) the link between entrepreneurship and creativity, 4) basic elements of the creative process, and 5) how to be creative and think outside the box.CHARACTERISTICS OF THE ENTREPRENEURIAL PROCESSEntrepreneurship is like doing any other business, but there are some characteristics, which distinguish it from traditional business techniques.InnovationAn entrepreneur’s mind revolves around new ideas and opportunities for innovation. There is a continuous and conscious effort required to look for niches and undertake the risks in entering them. Entrepreneurship involves the continuous examination of existing business workflows and devising ways in order to carry them out in a more efficient and effective way, in terms of both time and cost. In simple words, entrepreneurship works toward the optimization of business.Economic Importa nceEntrepreneurship works toward optimizing resources and taking full use of them to create efficient processes. It increases an enterprise’s wealth and adds value by increasing the economic activity that comes with optimizing the whole process.More ProfitThe process of entrepreneurship rewards the individual by increasing the profit potential of the enterprise. This is the result of undertaking new ideas and providing an innovative product or service.Risk-TakingThe whole essence of entrepreneurship revolves around the courage and ability to take new risks. Patience is needed to observe the fruitful outcome of an idea, and it takes time and effort to go from conceptualization to implementation of ideas. This time and effort is the risk that the entrepreneur is willing to take.Job OpportunitiesEntrepreneurship creates new niches and enterprises, which requires a work force. This provides exciting job opportunities for young adults. Hence, with the innovation and profit, entrepreneu rship has immense potential for creating jobs.The Entrepreneurial ProcessThe entrepreneurial process starts with conception and refinement of an idea, followed by implementation and management. The flow chart of the entrepreneurial process is shown below: WHY CREATIVITY IS SO CRUCIAL FOR ENTREPRENEURS?A thorough observation of the entrepreneurial process shows that creative thinking is the must have “skill” of an entrepreneur for the creation of new ideas. Creativity allows a person to devise interesting processes, which gives so many advantages to entrepreneurs.But what exactly makes creativity so crucial and important in an entrepreneur’s work life?Creativity leads to success by:Creating new ideas for competitive advantage.  The whole process of entrepreneurship is rooted in creation and exploration of new ideas. When an entrepreneur is able to generate a new idea that is feasible as well as efficient, it gives him an edge over the competition. The ability to explore different niches is just like a learned skill or a resource that is possessed by an individual.Thinking of novel ways to develop your product and improve the business.  Creativity helps develop new ways of improving an existing product or service and optimizing a business. There is always a room for improvement in the deliverables of an enterprise; it is the creative entrepreneur who can assess how to do it.Thinking the unthinkable.  Creativity requires imagination to produce the most obscure ideas. Imagination is needed to cross the boundary of “usual” and “normal” or to think outside the box. This allows entrepreneurs to think beyond the traditional solutions, come up with something new, interesting, versatile, and yet have success potential.Finding similar patterns in different areas. Sometimes, due to following a routine or a habit, the thinking process also goes along the line of those established processes. Creativity enables people to connect dissimilar and unrelated subjects and make successful entrepreneurial ideas. Merging different fields creates interesting intersections that creates new niches. Most people are afraid of bringing different disciplines together, but most interesting ideas come from colliding different fiel ds.Developing new niches through creativity and entrepreneurship.  In entrepreneurship, it is important that new aspects of traditional business are explored. This can be in the form of changing the method of manufacturing the product or delivering the service or how are they supplied to the user. All these areas can create a niche that has great potential in business.ENTREPRENEURSHIP AND CREATIVITY HOW ARE THEY LINKED?We have now assessed that entrepreneurs can attribute their success to creativity. But what exactly links entrepreneurship and creativity?Entrepreneurs link the creative mind and the business mind.In today’s world, due to globalization and excessive industrialization, products are manufactured and exported to international markets. As a result, there is easier access to every product, everywhere. The consumer has access to various kinds of products ranging in type and quality. So what does a businessperson do in a market flooded with products? How can someone think of manufacturing and supplying a product in markets where consumers already have their trusted preferences and so many choices to choose from? How can we make a product stand out from the rest?A creative mind answers all those questions. Creativity helps us think of how to improve existing business practices. A brand might be very established and popular among the consumers, but there is always something that can be done differently from them and in a better way. A creative mind is like an artist who creates new and exciting patterns on canvas. Creativity can come up with the most unthinkable ideas and bring innovation into existing practices.Creativity is simply the ability of imagination. Imagination leads someone to reach never before explored areas. In business terms, imagination alone is what is known as “thinking outside the box”. Using imagination, an entrepreneur can put aside the practical norms and think of something creative and innovative.However, a creative mind ha s to have entrepreneurial skills to bring those creative ideas to life in a business setting. An entrepreneur assesses the requirements of how to execute an idea by analyzing available vs. required resources, how to establish a new enterprise and how to manage it. An entrepreneur designs business models that can support and execute innovative ideas in the first place. An entrepreneur provides the ‘science’ aspect about how to bring the artistic creativity to life. Therefore, an entrepreneur bridges the gap between the creative genius and a traditional business approach.There are indicators that signify the creative thinking of a successful entrepreneur.Creativity does give an entrepreneur a competitive advantage, but how does one assess whether they are creative enough or not?Following are characteristic features indicative of a creative entrepreneur:An entrepreneur adheres to rules and principles only when they add value to the organization and have a potential to attract more customers.An entrepreneur experiments with his ideas as the first step. The second step is learning from the experience and the third step is implementation of what they have learned.An entrepreneur is less afraid to lose and is always keen to experiment in new ventures.The entrepreneur is not afraid of creativity and believes that creative ideas will only help their enterprise.A creative thinker will take inspiration from new ideas in every area directly or indirectly related to the enterprise.An entrepreneur is not afraid to go beyond the industry and enter new markets. This opens a wide range of opportunities to formulate new niches.Every product and service is not good enough and has room for improvement. An entrepreneur realizes that very well.A creative thinker is interested in bringing totally opposite things together to create new products or services.An entrepreneur creates new products for existing services and new services for existing products.Creative ideas come more qu ickly when someone is not afraid to appreciate new ideas irrespective of who comes up with them.An entrepreneur shares an idea and is open to feedback that improves and refines the idea.Creativity comes from learning different things, whether they are related to the industry or not.These indicators show that entrepreneurship and creativity go hand in hand with each other. Entrepreneurs are more flexible and seek improvement more than they seek perfection.Creativity needs to be structured.Despite all the flexibility to undertake new ventures, creativity does require a bit of structure for successful execution. However, too much structure robs the whole essence of the process. The key lies in having a rigorous approach toward work without being too stiff. Researchers say that creativity works best with two separate approaches: convergent and divergent. A convergent approach is focused and seeks a single solution using available information. However, divergent thinking works to create many creative ideas in different directions.Creative thinking is not the only skill needed for entrepreneurship.The discussion so far has led us to think that entrepreneurship is deeply rooted in certain basic skills: creating new ideas and having the ability to take risk in executing them. However, one should realize that this is not the only skill that is required for the successful execution of an idea. Creating an idea might be easy; successfully executing it might be a difficult task. What makes a person a successful entrepreneur? Why do some people recognize the opportunities that exist around them and others do not? Are they genetically different? Or do they have a different perspective to handle things?There might not be conclusive answers to those questions, but researchers have pointed out some areas for which an entrepreneur should have some expertise. These are:Personal traits. Personal attributes help entrepreneurs in a variety of ways. Optimism; vision, self-control; a nd having initiative, persistence, tolerance and resilience are all the features that make an entrepreneur stand out and have the ability to maneuver projects.Interpersonal skills. An entrepreneur has to interact with people at many levels. This requires them to have excellent interpersonal skills. Communication, leadership, motivation, personal relations, negotiation skills, and ethics are attributes that are a must have in a very dynamic business environment.Critical thinking. An entrepreneur must be his own critic. There should be a keen observation of various aspects of an idea so it can be perfected before implementation. A lot of future effort can be saved if an idea is critically analyzed, and no one else can do it better than the entrepreneur himself.Practical skills. These skills are required at the stage of idea implementation and management of the enterprise. An entrepreneur must be able to plan and organize goals and tasks. There should be effective decision-making and c ritical monitoring at various stages of the process.Business thinking vs. creative thinking: what comes first?This question is similar to: which came first, the chicken or the egg? The debate involves which aspect the entrepreneur chooses to handle first: the creative or the practical side of the process.Some believe that creativity is the initial step of the process and it is followed by the building of the model for its execution. However, it might not always be true. These two processes are so interlinked with each other that it is rather difficult to mark their boundaries. Both aspects go hand in hand with each other from start to finish. However, creativity might be dominant at the preliminary stage and the business thinking might be at the helm during the execution, or vice versa. BASIC ELEMENTS OF THE CREATIVE PROCESSThe process of creating interesting ventures is inherently dynamic and versatile. There are many aspects to the approach and the stages of the creative process. Some insight into the process is given below:Step 1: PreparationThe first stage, of course, is the preparation of some basic ideas to hold onto. There has to be some inspiration that “forces” or “prepares” the entrepreneur to move forward. The creative process starts with identifying a problem and then researching for related information. This is done in an effort to start looking for a viable solution. An entrepreneur looks in every direction to solve the problem, be it inside the industry or outside.Step 2: Thinking outside the box â€" going beyond the comfort zoneCan we achieve anything if we are not willing to go beyond our comfort zone? One has to leave the comfortable arena, go beyond and take a risk. Rewards come with efforts.“Thinking outside the box” is an expression that has been used in marketing, business and psychology since the 1970s. It owes its origin to a “nine dot” game that was once used as a test of creativity. The puzzle was designed such that th e person had to go beyond the dots to find the solution. However, psychologists say that this “external” factor is not really external, it is simply the existing solution to the problem. “External” is only how our brain tends to perceive it.Step 3: Creativity isn’t magicDespite the immensely amazing things creativity can achieve, it is definitely not magical. Creativity is simply approaching things with a different perspective. The simplest approach to creative thinking can be copying different elements, transforming them, combining them and eureka! There is a new idea. This essentially makes use of existing elements. As Kirby Ferguson says, “It happens by applying ordinary tools of thought to existing materials. And the soil from which we grow our creations is something we scorn and misunderstand even though it gives us so much â€" and that’s… copying.”Step 4: IncubationDuring the incubation stage, ideas that have the potential to solve a problem tend to flourish. This stage is characterized by the unconscious thought process of refining an idea. Apparently, there are many activities at work during this stage, but the overall goal is to find a solution. Evaluating existing projects can help to generate viable ideas. Some researchers even refer to the creativity process as re-creativity since it takes inspiration from existing ideas and molds them in an innovative way.Step 5: IlluminationIncubation leads to clarity of ideas. This is the “solution finding” stage. Now the creativity process leads to the knowledge of some practical ideas that can be put to work. It is like a “light bulb” moment, hence it’s called illumination.Step 6: VerificationThis stage determines whether the “found” solution even has the potential to work or not. The idea can either be accepted as such, modified with minor or major changes, or rejected altogether, requiring that the whole process be done again.Step 7: Critical thinkingGenerating innovative idea s is a comparatively easy task. The major success of an entrepreneurial endeavor lies in critically examining the viability of an idea. Critical thinking enables an entrepreneur to self-judge in order to evaluate the idea. It is defined as a self-directed, self-disciplined, self-monitored and self-corrective process of evaluating an idea.No one else is aware of the aspects of the problem as well as the proposed solution like the entrepreneur is. Therefore, a very honest opinion about the viability of the idea can come from the entrepreneur himself.Critical thinking offers many competitive advantages to the entrepreneur, such as:It helps formulate the best possible idea.It allows for exploring new horizons and seeing the big picture.It enables the entrepreneur to evaluate and ask questions that have not been considered previously.It helps in taking decisive actions; the result of creativity.Therefore, the process of creative thinking that starts with brainstorming “ends” at the c ritical analysis of the idea’s viability. The resulting potentially viable ideas can lead to the creation of actual entrepreneurial enterprises or improvement of the existing ones.HOW TO BE CREATIVE AND THINK OUTSIDE THE BOXIn business, if one aspires to achieve more, then it requires doing more. Everyone is comfortable with the norms as they are pretty established with few chances of risks. However, entrepreneurship cannot thrive on the “norms”, rather it requires building something innovative from those norms. Creativity leads to innovation, which in turn leads to improvement in the business one way or the other. Creative thinking leads to new products and services, increasing market competition.Creativity being a very important factor of the whole endeavor can sometime not be that easy to achieve. An entrepreneur cannot rely upon occasional “light bulb” moments to achieve professional greatness. However, there are certain ways that can “train” the entrepreneur to be able to think creatively on a frequent basis, boost the process and make it more efficient.Think freely, but focus on the major question you want answered, the product you want developed, or the area you want improved.Free thinking is primary to creating more contemporary and profitable business practices. Likewise, a creative mind is expected to come up with innovative ideas; something not thought of before. However, the basic focus of the creative process should revolve around a problem and building a solution for it. Putting up some restrictions and establishing some parameters is important in the creative process. Endless opportunities interfere with the generation of viable ideas. Focused thinking helps in detailed idea generation that has the potential to be implemented.Brainstorm.Choosing a successful idea requires that there are enough viable ideas on the table in the first place. Creative thinkers need to churn out every possible alternative they have in mind. In fact, the collection of ideas or brainstorming is so important that there should be regular brainstorming sessions. This helps in compiling every idea starting with the most absurd ones. One should know that a very weird idea could be made wonderful later on.Encourage and reward creative ideas of your team.The team can be the greatest asset an enterprise can have. Conscious efforts should be made to encourage the employees to think creatively. There could be small trips arranged for employees to get inspiration and effectively engage in creative thinking. At the end, there should be rewards for employees who help in increasing the company’s value. There could be certificates, vacations, awards or another motivational strategy to inspire employees.Share ideas and solicit feedback.We learn a lot from our experiences. Nevertheless, in entrepreneurial endeavors, it is better that an idea is refined and theoretically foolproof before it is taken to the step of execution. One person could be ign oring some very important aspects of a problem, however, sharing ideas and soliciting feedback can give a multidimensional perspective.Evaluate your ideas.Princeton Creative Research has laid out a checklist for entrepreneurs to evaluate an idea. Some salient checkpoints are given below:Do you think your idea has some realistic need and is beneficial toward that?Can you pinpoint the issue your idea resolves?What will be the expected short-term and long-term results and gains of implementation?Do you know any limitations of the idea? Are there any risk factors involved?Is the implementation simple or complicated?Do you think the market can accept your idea? Do you know who your potential customer would be?Is there a need of your product or service? Alternatively, will it have to be created by marketing and promotion?These evaluation marks can help supply detailed knowledge of the idea’s viability, providing another tool to check the idea along with critical thinking.Entrepreneurshi p could simply be the solution for the economic problems of today’s world. It brings the most innovative and exciting ideas to reality. However, it is a process that can be made even more successful with creative thinking. The above discussion helps us realize the importance of creativity in the entrepreneurial process. Creativity and entrepreneurship are intricately related and go hand in hand with each other. However, both are important to each other; and one cannot guarantee success without the other. Hence, to be a successful entrepreneur, creative thinking should be consciously done to bring forward the most viable ideas.

Comparing Amy Tans The Joy Luck Club and The Woman...

Comparing The Joy Luck Club and The Woman Warrior Amy Tans immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tans book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingstons autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of†¦show more content†¦Communication becomes impossible (Huntley 46). This anecdote sets the stage for conflict between the Chinese mothers and their American daughters. The issue of the language barrier is a constant theme in both The Joy Luck Club and The Woman Warrior. In the immigrant narrative, English plays a major role in assimilating into the new world. For Tan, the struggle between Chinese and English haunts both her real life and her fiction. Tan herself stopped speaking Chinese at age five, though she has never lost her first language entirely (Amy). Her mother, Daisy, however, speaks in a combination [...] of English and Mandarin (Huntley 3). Tan was taunted in grade school for her mothers heavy Shanghai accent (Huntley 3). Because Daisy never became fluent in English, the linguistic friction merely escalated between the two women (Amy). Tan expresses this tension in her novel when the fictional Jing-mei admits that she has trouble understanding her mothers meaning, and empathizes with her aunties who see daughters who grow impatient when t heir mothers talk in Chinese, who think they are stupid when they explain things in fractured English (Tan 40-1). The stresses of a bilingual relationship are further explored when Lena St. Clair finds herself acting as translator between her Chinese mother and English-Irish father, who each refuse to learn the others language, placing their daughter in the cultural crossfire (Tan

National Identity- A Semse of a Nation as a Cohesive Whole...

National Identity - A sense of a nation as a cohesive whole, as represented by distinctive traditions, culture, and language1 The architecture of the Twentieth century has been shaped by powerful social, economic and political forces. This has stemmed from influence of war, diverse political regimes, national and international architectural movements and technological development. Along with this architects and ideas has been able to travel around the world more than ever before and from this designs have become apparent that sought to break with the past. Architecture that was once specific and local has now become global. It would seem that the national identity of the past has been sacrificed for the development of modernity. The†¦show more content†¦What is the architects role in cultural production? Is the architect an author or merely a service provider? A new era needs to begin were someone subverts this modern architectural language and brings back the national identity of a country, no matter how subtle it may be. Architectural styles have constantly been challenged and questioned throughout history so why cant this one? A key issue that arises from this is the idea of Preservation vs Modernisation. Preservation is a key aspect in keeping a national identity but this should not hold back the evolution of a country. Sentimentality should not take centre stage and preservation should only be acknowledged if the architecture can fulfil the function of the modern world. There would seem to be a fine line between national identity and modern evolution of a country. To truly understand what national identity means in a contemporary setting we must look back to the past and understand what it meant then and where we started to lose the notion of national identity. It would seem that national identity was lost far before the modern architecture of today. It can be traced back to the Modernist architecture movement, especially post WWII. The loss was through a lifeless environment of huge objects, bumper to bumper. The imperious and mute buildings [fig.1], with their endless rows of sameness, are in fact a shining example of modernist architecture taken at random from the cities of

The Hero And The Crown Part One Chapter 6 Free Essays

string(44) " were one of the king’s hunting dogs\." TALAT GREW FIT and shining: He was always a little short with the right hind when she mounted, but it took less and less time for him to work out of it. She rode him without gear for weeks, while the saddle and bridle shed oil all over the inside of her wardrobe, for she found herself superstitiously reluctant to use it – as if something would be spoiled, or a gift would become a duty, once tack officiated over their rides together. â€Å"I suppose even the pleasantest convalescence must come to an end someday,† she said to him one evening; and the next day she brought all his gear and her boy’s sword out to the pasture. We will write a custom essay sample on The Hero And The Crown Part One Chapter 6 or any similar topic only for you Order Now He sniffled them all over, slowly and then with enthusiasm, and danced with impatience while she tacked him up, till she pounded on his shoulder with her fist and yelled at him to behave. He moved off proudly and obeyed each command at once; and yet she found the jingling of the various bits and buckles annoying, and the reins took up too much of her hands and her concentration. â€Å"How does one deal with a sword and these thrice-blasted reins?† she said to the small white ears. â€Å"There must also be a way to hang the rotten thing so it doesn’t bang into you when you’re not using it. I carry the reins in my teeth – and accidentally strangle myself in them – and meanwhile I can’t shout blood-curdling war cries of Victory! and For Damar! to bring terror into the hearts of my enemies, with my mouth full of reins.† As they stood, she pulled the sword from its scabbard and swung it experimentally just as Talat turned his head to snap at a fly on his shoulder, and the sword tangled itself in the reins till Talat could not straighten his neck again, but remained with his head bent around and one reproachful dark eye fixed on his rider, and the blunt blade snuggled along his cheek. â€Å"Ah, hells,† she said, and yanked the sword free. One rein parted. Talat stood, either waiting for directions or afraid to move; the short end of the cut rein dangled a few inches beneath his chin, and he ducked his head and grabbed it, and chewed it thoughtfully. â€Å"We did just fine without,† she said furiously, dismounted, tore the bridle off and dumped it on the ground, holding her unwieldy sword in the other hand like a marauding bandit. She remounted and dug her legs into Talat’s sides – harder than she meant for the saddle skirts muddled her. Talat, delighted, set off on his first gallop since the day he was wounded; and Aerin had wrought better than she knew, for he had the strength and stamina now to gallop quite a distance. He tore across his pasture. Aerin failing to collect either her wits or her stomach, which seemed to be lying back on the ground with the bridle; and then she discovered that just as the saddle had made her misjudge how hard to squeeze, so now its bulk made it very easy for Talat to ignore her as she tried to tell him to stop by sitting heavily on his back. The fence loomed up before them; â€Å"Oh no,† moaned Aerin, dropped her sword, and grabbed two handfuls of mane; and they were up and over. The take-off was a lurch, but they came down lightly, and Aerin discovered that while her ex-convalescent was still disinclined to stop, he was willing to listen to her legs again; and eventually the circles got smaller, and the gallop more like a canter, and finally when she sat back he came down docilely to a walk. But his head and tail were still up, and he reared suddenly, and Aerin frantically clutched him around the neck. He neighed, and struck out with his forelegs. Aerin had seen him do this years before, when her father rode him, for war-horses were trained to do battle as well as to carry their riders into it; and she had seen them and others of the cavalry on the practice fields, and at the laprun trials. But it was a lot different, she found, when one was on the horse performing. â€Å"Shh,† she said. â€Å"If someone notices we’re out here, there will be trouble.† Talat bounced stiff-legged once or twice and subsided. â€Å"And how am I supposed to get you back into your pasture again, dimwit?† she addressed him, and his ears flicked back for her voice. â€Å"The gate is right under anyone’s eyes watching from the barn; and there’s always someone in the barn.† His ears twitched. â€Å"No, we will not jump back in.† She was shaking all over; she felt that her legs were clattering against Talat’s sides. She turned him back toward the far side of the pasture again, feeling that anything was better than being seen; and they made their way to the place where Talat had made his leap. Aerin dismounted. â€Å"You stay right here or I’ll chop your other three legs,† she told him. He stood still, watching her, as she clambered cautiously up the low rock wall and the wooden rails above it. She cast around a few minutes, and found her discarded sword; came back to the fence and began banging the end of the top rail with the hilt till it slid protestingly out of the post and fell to the ground. The other followed. Aerin examined her blisters grimly, and wiped her sweating face. Talat was still watching her intently, and had not stirred a hoof. Aerin grinned suddenly. â€Å"Your war-horse training is no joke, hey? Only the best carries the king.† He wrinkled his nose at her in a silent whicker. â€Å"Or even a third-rate first sol, now and then.† She stepped back from the fence. â€Å"Now, you. Come here.† She beckoned him as if he were one of the king’s hunting dogs. You read "The Hero And The Crown Part One Chapter 6" in category "Essay examples" He bunched his feet together and sprang over the low stones, the stirrups clanging against his sides. She ground the rails back into the post holes again, picked up the sword, and with Talat following – she felt she’d had enough of riding for one day – they walked back to the pool and the mounting stone, and the heap of bridle and scabbard. Talat was very lame the next day, and Aerin chased him on foot for three days to make him trot and work the soreness out before mounting him again. She reverted to riding him without saddle or bridle, but she took her sword with her, and slashed at dangling leaves and cobwebs – and fell off occasionally when a particularly wicked swing overbalanced her – and learned to hang on with her legs when Talat reared. They also cantered endlessly to the left to strengthen the weak leg, although some days she had to yell and thump on his shoulders and flanks to make him pick up the left lead at all. She asked Tor, idly, what cues the war horses knew for their leaps and plunges, and Tor, who did not know about Talat and feared what she might be doing, warily told her. Talat nearly unseated her the first time she asked him these things, and didn’t settle down again for days, hoping for more signals to do what he loved best, going off in corvettes when she only wanted him to trot. The bridle she did not return to her wardrobe, but instead only threw it under her bed out of sight. (Teka, who had rearranged the wardrobe to allow for saddle oil, wondered about this new arrangement, but on the whole found it preferable, since court dresses were not kept under the bed.) She pulled the stirrups off the saddle and began to wrench the stitching out of its bottom, pulled most of the stuffing out, and sewed what remained back together again. She put the resulting wreck on Talat’s back, sat on it, said hells, took it off, pulled it entirely to bits, and began painstakingly to redesign it to follow exactly the contours of Talat’s back and her legs, which meant that for several weeks she was putting it on him and climbing into it maybe half a dozen times in an afternoon, and Talat was a bit cross about it. She also had to borrow leather-working tools from Hornmar. Her heart was in her mouth for the questions Hornmar had never asked her but might yet someday; but he gave her the tools silently and willingly. Her saddle was finished at last. She had left the breastplate links on it so that Talat could still wear the royal insignia; and when she put the saddle and breastplate on him she was surprised at how handsome it looked. â€Å"I did a good job on this,† she said, staring at her handiwork; and she blushed, but only Talat was there to see. Meanwhile the long-awaited wedding of Galanna and Perlith finally occurred, with Tor performing the functions of first companion to Perlith with a blank and sober face, and Galanna almost transcendent with gratified vanity, for the eyes of the entire country were upon her. She was as beautiful as summer dawn, in rose and gold and turquoise, her black hair bound only with flowers, pink and white and pale blue; but she made up for this uncommon self-restraint by wearing rings on every finger and two on each thumb, so that when she made the ritual gestures her hands seemed on fire as the gems caught the sunlight. But it was also at this wedding that a new and troubling rumor about the king’s daughter began, a rumor that Galanna did not have to start, for more eyes than hers observed and drew conclusions similar to hers without the spur of wounded pride and jealousy. The king’s daughter, Aerin-sol, stood at her father’s left hand, as was proper; she wore green, a long dress, the skirts nearly as full as Galanna’s, but this was only to show her cousin proper respect. The lace of her bodice was modest, and she wore but two rings, one of the house of the king, and one her father had given her on her twelfth birthday; her hair was bound primly to the back of her neck, and she carried only a small yellow-and-white posy of ringaling flowers. Aerin would not have wished to outshine Galanna even if she could, and had argued with Teka over every stitch of the dress and every braid of her bound hair, and tried to get out of carrying flowers at all. The king and his daughter stood to the right of the wedding pair, and the first companions stood across from them; and it was obvious to many pairs of eyes that Perlith’s first companion’s gaze rested not on the bride but on the king’s daughter; and the irony was that had he not been standing first companion he would have been on the king’s right hand, where he could not look at Aerin-sol whether he wished to or not, and so his secret might have been kept a little longer. The rumor began that day, for the people at the wedding feast passed it among themselves, and took it home with them afterward, that the first sola was in love with the king’s daughter; and that the witch’s daughter would entrap the next king of Damar as her mother had entrapped her father; and a little breath of fear was reawakened – for Aerin’s Giftlessness had been reassuring – and accompanied the rumor. Galanna, who had hoped to make Tor just a little sorry after all that he had not married her, had her day of glory almost ruined when at last she noticed where her new husband’s first companion’s eyes were tending; but anger became her, so long as she kept her tongue between her lips. It was almost worth it, for a few days later one of her dumber but most well-meaning ladies mentioned, worriedly, to her that someone had said that Tor was falling under the spell of the witch woman’s daughter, and that history was to repeat itself. â€Å"I don’t quite know what she meant, do you?† said the lady, frowning. â€Å"Aerin-sol’s mother was queen; it would be a most suitable match,† Galanna laughed her most light-hearted laugh. â€Å"You are so young,† she said caressingly. â€Å"It was a terrible scandal when Arlbeth married Aerin’s mother. Didn’t you know that Aerin’s mother was from the North?† The lady, who had grown up in a small town to the south, did not know, and her eyes opened wide; Galanna could read her eagerness to have an interesting fresh slice of gossip to slip into the conversation the next time she and her friends gathered together. â€Å"Oh, Arlbeth certainly married her,† Galanna said gently, â€Å"but she wasn’t exactly queen.† She made it sound as if Arlbeth’s only excuse for such a liaison was misguided passion and, blinded by that passion, perhaps he hadn’t quite married her at all. She let this sink in a moment – the lady was very stupid, and had to be played carefully – and then, seeing dawning comprehension in the lady’s eyes, sent her gently and kindly, that the comprehension would not be joggled loose again, about her business. Aerin herself bore up under the wedding and the feast afterward as best she could, but as this meant that she withstood them stoically as a martyr might withstand torture, she did not notice either Tor’s eyes or Galanna’s fury – she was only too accustomed to ignoring Galanna whenever possible; the one thing she did observe about the bride was the twelve rings, which were hard to miss – nor did she notice any more than usual stiffness in the courtesy that those around her offered her. And Tor, who was either viewed as dangerously enamored and therefore to be treated with caution, or as pitiably misguided and thus to be protected – or, as a few implausibly simple souls believed, capable of deciding his own fate – did not know till much later all that he had betrayed. Aerin peeled out of her fancy clothes and fancy manners and pelted off to the barns at the first opportunity, and thought no more about weddings. She had taken some time away from her leather-working to begin experimenting with the fire ointment. Most of the ingredients she found easily, for they were common things, and a first sol’s education included a little basic herb-lore – which Aerin had learned gladly as an escape from deportment and history. One or two things she asked Hornmar for, from his stock of horse cures; and he, thinking she wished perhaps to try some sort of poultice on Talat’s weak leg, granted her the run of his medicines as he had his tool chest, and again asked no questions. She was aware of the great boon he offered her, and this time she couldn’t help but look at him a little wonderingly. He smiled at her. â€Å"I love Talat too, you know,† he said mildly. â€Å"If I can aid you, you need only to ask.† Teka and the redroot were a little more difficult. â€Å"Teka, what is redroot?† Aerin asked one afternoon as she applied an uneven patch to a skirt she had always detested, and glowered at the result. â€Å"If you spent a quarter of the time about your mending that you have over that old saddle, you would be better turned out than Galanna,† said Teka with asperity. â€Å"Rip that out and do it again.† Aerin sighed, and began to pick at the irregular stitches. â€Å"I suppose there’s no point in mentioning that I have no desire to be better turned out than Galanna.† She picked a moment in silence and added, â€Å"For that matter, Galanna never wears anything that has a patch or a tear.† Teka grinned. â€Å"No. She takes out a great gash and puts in a whole new panel of different cloth, and it’s a new dress.† â€Å"I would like to make a new floor mop out of this thing,† replied Aerin. Teka lifted it out of Aerin’s hands and squinted at it. â€Å"The color has not worn well,† she explained, â€Å"but the cloth is sound. We could re-dye it.† Aerin did not show any marked access of enthusiasm for this plan. â€Å"Blue perhaps, or red. Don’t overwhelm me with your gladness, child. You’re always wanting to wear red, in spite of your flaming hair – â€Å" â€Å"Orange,† murmured Aerin. â€Å"You could do quite well with this skirt in red, and a golden tunic over – Aerin!† â€Å"It would still have to be patched,† Aerin pointed out. Teka sighed heavily. â€Å"You would try the patience of Gholotat herself. If you will do something useful with that wretched bridle that has been lying under the bed for the last fortnight, I will re-dye your poor skirt, and put a patch on it that not even Galanna will notice – as if you cared.† Aerin reached out to hug Teka, and Teka made a noise that so sounded like â€Å"Hmmph.† Aerin fell off the window seat and made her way over to the bed on her hands and knees and began to scrabble under it. She re-emerged only slightly dusty, for the hafor were dutiful floor-sweepers, held the bridle at arm’s length and looked at it with distaste. â€Å"Now what do I do with it?† she inquired. â€Å"Put it on a horse,† Teka suggested in a much-tried tone. Aerin laughed. â€Å"Teka, I am inventing a new way to ride. I don’t use a bridle.† Teka, who still occasionally watched Aerin and Aerin’s white stallion in secret to reassure herself that Talat would do her beloved child no harm, shuddered. It was the luck of the gods that Teka had not been watching the day Talat had jumped the fence. â€Å"I don’t want to hear about it.† â€Å"Someday,† Aerin went on with a bold sweep of her empty hand, â€Å"I shall be famous in legend and story – † She stopped, embarrassed to say such things even to Teka. Teka, holding the skirt to the light as she made deft invisible stitches around the patch, said quietly, â€Å"I have never doubted it, my dear.† Aerin sat down on the edge of the bed with the bridle in her lap and looked at the fringe on the bed curtains, which were the long golden manes of the embroidered horseheads on the narrow canopy border, and thought of her mother, who had died in despair when she found she had borne a daughter instead of a son. â€Å"What is redroot?† she asked again. Teka frowned. â€Å"Redroot. That’s – um – astzoran. Red-root’s the old term for it – they used to think it was good for some things.† â€Å"What things?† Teka glanced at her and Aerin bit her lip. â€Å"Why do you want to know?† â€Å"I – oh – I read a lot in the old books in the library while I wasn’t †¦ feeling quite well. There was some herb-lore, and they mentioned redroot.† Teka considered, and some of her thoughts were similar to Tor’s when Aerin had asked him to teach her swordplay. Teka had never thought about whether Aerin’s fate had more to do with what Aerin was or what Damar was, or for reasons beyond either; Teka merely observed that Aerin’s fate was unique. But she knew, knew better even than the cousin who loved her, that Aerin would never be a court lady; not like Galanna, who was a beautiful termagant, but neither like Arlbeth’s first wife, Tatoria, whom everyone had loved. None of the traditions of Arlbeth’s court could help the king’s daughter discover her fate; but Teka, unlike Aerin herself, had faith that the destiny was somewhere to be found. She hesitated, but she could remember nothing dangerous about the no longer valued redroot. â€Å"Astzoran doesn’t grow around here,† said Teka; â€Å"it is a low weedy plant that prefers open meadows. It spreads by throwing out runners, and where the runner touches the earth a long slender root strikes down. That is the redroot.† Teka pretended great concentration upon her patch. â€Å"I might take a few days to ride into the meadows beyond the City and into the Hills; I am reminded that there are herbs I need, and I prefer to gather my own. If you wish to come, I will show you some astzoran.† Teka asked no questions when Aerin rolled up a small herb bundle of her own and tied it to Kisha’s saddle during their journey, a bundle that included several long thready roots of astzoran, and if any of the outriders noticed (for Teka only rode at all under duress, and even on her slow, sleepy, elderly pony she felt much safer with several other people around), they said nothing either. The ointment recipe, Aerin found, was not as exact as it might be. She made one mixture, spread some of it on one finger, and thrust the finger into a candle flame – and snatched it out again with a yelp. Three more mixtures gained her three more burnt fingers – and a terrific lecture from Teka, who was not, of course, informed as to the details of why Aerin seemed intent on burning her fingers off. After that she used bits of wood to smear her trial blends on; when they smoked and charred, she knew she had not yet got it right. After the first few tries she sighed and began to keep careful notes of how each sample was made. It was not an exercise natural to her, and after she’d filled several sheets of parchment with her tiny exact figures – parchment was expensive stuff, even for kings’ daughters – she began to lose heart. She thought: If this mess really worked, everyone would know of it; they would all use it for dragon-hunting, and-would have been using it all along, and dragons would no longer be a risk – and that book would be studied and not left to gather dust. It is foolish to think I might have discovered something everyone before me had overlooked. She bowed her head over her burnt twig, and several hot tears slipped down her face onto her page of calculations. How to cite The Hero And The Crown Part One Chapter 6, Essay examples

Toy Story Essays - Film, Cinema Of The United States, Toy Story

Toy Story In 1995, Toy Story was produced by Pixar Animation Studios for Walt Disney Studios (Wiki). In the film a young boy named Andy and his toys that come to life when humans are not around, move to a new house in a new neighborhood and encounter many challenges following the event. Directed by John Lasseter, the film's music was composed by Randy Newman. The adventurous score paired perfectly with the film's fun spirit. 110 animators and $17.5 million dollars later (ToyStory), we were blessed with the release of the first Toy Story. Randy Newman, the composer for the film, is an American songwriter, singer, arranger, composer, and pianist born in 1943. He is known for his unique voice, satare pop songs, and unique film scores. His film scores include Ragtime , Awakenings , The Natural , and Seabiscuit. He has scored eight Disney-Pixar animated films including: Toy Story 1,2, and 3 , A Bug's Life , Monsters Inc. , Monsters University , as well as Disney's The Princess and the Frog and James and the Giant Peach. Newman has received twenty Academy Award nominations and has won twice for Best Original Song. He has also won three Emmys and six Grammy Awards. Newman was inducted into the Songwriters Hall of Fame in 2002 for classics such as Short People, and as a Disney Legend in 2007. He was inducted to the Rock and Roll Hall of Fame in April 2013 (RandyNewman). His musical style was influenced by the likes of Albert Bernstein and Ray Charles. He often writes full orchestral scores, but is also known for using a singular voice with piano. "You Got a Friend In Me", is arguably the most well known song from the film and is the only song to return in the next two movies as well. The leitmotif is used throughout the film, including the opening and closing credits. The use of voice, percussion, piano, woodwind, and brass instruments provides a bouncy backdrop for the main vocals of the song, sang by Randy Newman himself. Newman's peculiar voice gives the song a warm vibe that makes the viewers relate to the song. The leitmotif is played as Andy is playing with his toy, one of the main characters in the movie, which ties the scene together very well. The smooth undertones pair very well with the buoyant brass, and soft vocals. The tune is still well known, over twenty years after its release. "Strange Things" is used in the scene where Woody, Andy's cowboy doll, is being replaced by Buzz, a spaceman action figure, as the favorite toy. The exciting piano and bouncy bass line accompanies the vocals well. The lyrics depicts perfectly what is happening on the screen. Newman also provides the main vocals for this song as well. His rougher voice contrasts with the flamboyant music, which accurately describes Woody's relationship with Buzz and Andy at that moment on screen. The song has a funky vibe, as the instrumental tune is lively and exciting, is paired with the eccentric lyrics . All together the score is accurately chosen for the film. "Buzz" is personally my favorite piece in the film. The strings and flutes are used in the beginning, added onto by the low brass, and percussion in an exhilarating, suspenseful buildup. It is met by a bouncy tone carried out by brass and a lovely tune with the strings. Newman uses sounds similar to that of his inspiration Albert Bernstein later in the song, with rushing cords on strings and a heartracing tone is picked up by the rest of the orchestra. The crescendo is held throughout the rest of the song. The instrumental tune is full of twists and turns that leave listeners sitting at the edge of their seats in anticipation of what may happen. "Woody's Gone" presents light hearted woodwinds and strings, added by a curious ostinato of lower strings. A crescendo of the entire orchestra is held out until almost the very end of the song. The combative parts between the woodwinds and low brass with the stings gives a heart-pumping feel of desperation and urgency brought to an abrupt end by a decrescendo and quick